Research Session · Analysis 1.0

Accompanied by Dr. André Weinreich, Head of Research & Science from emolyzr/Humboldt University, I’ve run several sessions during the winter semester 2016/17. We now have a gathered some data for the movies which had have enough attendees.

The numerical data provides two main starting points: either analysing the questionaire or the plain heart rate data. We check several options to find some correlations between them. The first obvious result is the relation of mean heart rate and liking. At present we focus on cluster analyses from both “ends”: the average rating as well as the individual pulse.

These are the mean heart rates of each screened movie in alphabetical order. In this earlier post some reasons are given, why these films were chosen. Most movies have been screened in a lecture hall, some at a regular cinema, which clearly caused immersiveness at different levels.

Some clues to read the data:

  • Have a look which approx. mean heart rate the movie evokes
  • Watch for immediate changes (up or down)
  • Look for sections which continously differ from mean heart rate
  • The dynamic range, the film has caused in general, is an indicator as well
  • Can an overall trend be identified in individual sections or the entire film?

American Psycho

Mary Harron · 2000 · n=16 (Berlin, Lecture Hall)

American Psycho Poster

American Psycho Graph


Awakenings

Penny Marshall · 1990 · n=16 (Lemgo), n=14 (Berlin) both Lecture Hall

Awakenings Poster

Awakenings Graph


Deadpool

Tim Miller · 2016 · n=16 (Lemgo, Lecture Hall)

Deadpool Poster

Deadpool Graph


Delicatessen

Jean-Pierre Jeunet & Marc Caro · 1991 · n=14 (Lemgo), n=16 (Berlin) both Lecture Hall

Delicatessen Poster

Delicatessen graph HR mean


Doctor Strange

Scott Derrickson · 2016 · n=16 (Lemgo, Cinema)

Doctor Strange Poster

Dr Strange Graph


Fantastic Beasts and where to Find Them

David Yates · 2016 · n=15 (Lemgo, Cinema)

Fantastic Beasts … Poster

Fantastic Beasts Graph


Gone Girl

David Fincer · 2014 · n=15 (Berlin, Lecture Hall)

Gone Girl Poster

Gone Girl Graph


Heil

Dietrich Brüggemann · 2015 · n=16 (Berlin, Lecture Hall)

Heil Poster

Heil Graph


Her

Spike Jonze · 2013 · n=15 (Berlin, Lecture Hall)

Her Poster

Her Graph


Labor Day

Jason Reitman · 2013 · n=16 (Berlin, Lecture Hall)

Labor Day Poster

Labor Day Graph


Legend

Brian Helgeland · 2015 · n=16 (Lemgo, Lecture Hall)

Legend Poster

Legend Graph


Passengers

Morten Tyldum · 2016 · n=14 (Lemgo, Cinema)

Passengers Poster

Passengers Graph


Robocop

José Padilha · 2014 · n=10 (Lemgo), n=16 (Berlin) both Lecture Hall

Robocop Poster

Robocop Graph


Schönefeld Boulevard

Sylke Enders · 2014 · n=15 (Berlin, Lecture Hall)

Schönefeld Boulevard Poster

Schoenefeld Boulevard Graph


Stereo

Maximilian Erlenwein · 2014 · n=15 (Berlin, Lecture Hall)

Stereo Poster

Stereo Graph


Zootopia

Byron Howard/Rich Moore · 2016 · n=14 (Lemgo, Lecture Hall)

Zootopia Poster

Zoomania Graph


The analysis’ goal is to find some structure in observing the heart rate of movie goers. One outcome might be the relation between the heart rate and the likness. Because we are still in the process of applying different approaches, we are not yet ready to publish the whole data.

If you are interested to get more details of this movie analysis study, it’s progress in analysis, or how Movie Pulse can be used for analyzing any feature length movie yourself, get in touch.

Movie Pulse at the cinema

The 2016/17 Research Sessions

Accompanied by Dr. André Weinreich, Head of Research & Science from emolyzr/Humboldt University, I’ve run several sessions during the winter semester 2016/17. We had up to two groups each week – one at the University Ostwestfalen-Lippe in Lemgo, the second at Humboldt University, Berlin. André Weinreich is a psychologist and researcher of emotions. He instantly understood what I am after, to examine the recorded heart rate of movie goers and he urged me to collect data on a broad variation of movie genres. We have two more movies left, but I’d like to compile the list of the recent movies.

The data is about to be analyzed – which will keep us busy the next months.

We probably release some insights from time to time, but please be patient for the proven outcome. Nevertheless I am still working on Movie Pulse as a tool useful for movie maniacs. I have a certain feature in mind for the next major release, but you’re always welcome to send ideas, feature requests and of course report malfunctions.

Autumn/Winter 2016/17 · Research Sessions

  • The Tin Drum, Volker Schlöndorff · 1979
    n=14 (Lemgo)

This story is based on a novel which is freely inspired by historical events. I know this is the most controversy movie I show in my lessons, because students of several years told me. It has been chosen because it evokes disgust as well as sexual stimulation (among other other things, of course).

  • Awakenings · Penny Marshall · 1990
    n=16 (Lemgo), n=14 (Berlin) both Lecture Hall

A drama with the focus on the relationship of a doctor and one of his patients, based on real events. This has been the movie I cried the most in my whole life. It has been chosen because of it’s emotional power to evoke compassion as well as it comes with a particular humor.

  • Delicatessen, Jean-Pierre Jeunet & Marc Caro · 1991
    n=14 (Lemgo), n=16 (Berlin) both Lecture Hall

A caretaker is threatened by the household. Although a bit outdated in terms of it’s fantastic and dystopian filmic universe, the movie is a classic and has been a boiler plate for a series of these kind of movies. It’s part of the screening because of a provocative story, an imminent bad ending and hilarious comedy.

  • Doctor Strange, Scott Derrickson · 2016
    n=16 (Lemgo, Cinema)

A mainstream movie, based on the Marvel comic universe with a favorable actor. Part of the list because of the absence of real human being living condition to identify with, as well as the presence of FX in visual and audio terms.

  • Legend, Brian Helgeland · 2015
    n=16 (Lemgo, Lecture Hall)

Based on the life of two real brothers, this movie brings two important things: an impressive performance of a famous actor (playing adult twins) along with an incredible story. Chosen because of it’s intensity of character presence, conflict and brutality.

  • Her, Spike Jonze · 2013
    n=15 (Berlin, Lecture Hall)

An intellectual movie facing a near future we might have with our smart devices. The movie develops an relationship between the main character and a machine. The scale of emotional involvement of the audience in this artificial plot setup makes this movie interesting for the list.

  • Phantastic Beasts and where to Find Them, David Yates · 2016
    n=15 (Lemgo, Cinema)

A movie based on the proven success of an existing phantasmagorial filmic universe. It deals with conflicts of characters of a non-contemporary plot, fantastic creatures and audio-visual impression. It has been chosen because of the probably lesser character identification, but larger impact in visual and sound terms.

  • Gone Girl, David Fincer · 2014
    n=15 (Berlin, Lecture Hall)

Based on a major conflict a couple has to deal with, the story heads towards classic changes in character judgement by the audience. This movie delivers a focus on the compassion the audience might have with the male or female – without being distracted by visual effects.

  • Robocop, José Padilha · 2014
    n=10 (Lemgo), n=16 (Berlin) both Lecture Hall

The dystopian Science Fiction settled on Earth in some near future re-interprets the successful original from 1987. The movie contains threatening cutting edge technology as well as the misfortune of a human being. Both made this movie useful for the list: the massive audiovisual impact of FX and the sympathy with the main character.

  • Deadpool, Tim Miller · 2016
    n=16 (Lemgo, Lecture Hall)

Based on another Marvel comic character, this movie provides a cynical, obscene and hilarious hero and a classic hero arc. This movie has been chosen because of it’s classical plot, hilarious comedy elements as well as it’s controversial character.

  • Schönefeld Boulevard, Sylke Enders · 2014
    n=15 (Berlin, Lecture Hall)

A female misfit character reclaims her acceptance within her adolescence development. A movie dealing with down-to-earth real problems of a young woman in a contemporary time frame and a ordinary setting. The absence of larger than life plot construction (and production scale) makes this movie of use for the list. How will this affect the compassion ability of the audience?

  • Zootopia, Byron Howard/Rich Moore · 2016
    n=14 (Lemgo, Lecture Hall)

A weak character by definition (bunny) in a classical zero to hero (animation) movie. How will the animated characters move the emotions of the audience? Will the movie provide an immersive experience similar to non-animated movies? These are some main questions we might have analyzing it.

  • Stereo, Maximilian Erlenwein · 2014
    n=15 (Berlin, Lecture Hall)

Preceding events of the life of the main character are affecting the love to a woman. The movie comes with a realistic setting along with a kind of psychedelic split-person threat. How does the audience deals with the psychic harassment as well as with the imminence through physical brutality will make this movie of use for us.

  • Heil, Dietrich Brüggemann · 2015
    n=16 (Berlin, Lecture Hall)

Besides it’s humorous handling of (German) nationalism, the movie has an intellectual quality while offering jokes on all kind of institutions, social levels as well as media formats. The questions for the study can contain the following: How does the controversial topic, the hilarious exposure of quite all characters and the quick succession of jokes will affect the audience?

  • Labor Day, Jason Reitman · 2013
    n=16 (Berlin, Lecture Hall)

A unpredictable character intrudes the life of a single mother with light force. A drama as well as a love story does the movie provide a strong quality of sympathy for all three main characters: intruder, mother and son. Besides the grade of identification with the personell will (presumably) the predictable and imminent end provide strong emotional response of the audience.

  • Passengers, Morten Tyldum · 2016
    n=14 (Lemgo, Cinema)

This science fiction with a fundamental optimistic belief in human expansion (technological and spacial) is an intimate theater on a space ship of sheer enormity. The lack of an alien threat helps to focus on the existential situation (mainly) two people are in. Therefore we can exploit how the audience involves with the development of the couple and how the the imminence both have to deal with affects visually and especially at the sound design.

  • American Psycho, Mary Harron · 2000
    n=16 (Berlin, Lecture Hall)

Summer 2016 · Research Sessions

We probably won’t be able to include the following movies, because of poor attendance and we had an essential change in questionnaire structure. We might be able to run additional sessions to increase the required number of test persons; the sessions are not necessarily bound to take place at the same location/at the same time. But, the lack of questionnaire quality does not recommend it.

Guardians of the Galaxy, James Gunn · 2014
n=8 (Lemgo)

Victoria, Sebastian Schipper · 2015
n=12 (Lemgo)

A Fish called Wanda, Charles Crichton/John Cleese · 1988
n=8 (Lemgo)

Fight Club, David Fincher · 1999
n=7 (Lemgo)

Martyrs, Pascal Laugier · 2008
n=7 (Lemgo)